I will be incredibly busy over the next few months (already have been), so I thought I’d post about my current projects. In other words, you won’t hear from me in a long while (perhaps months, maybe not until summer). I have a lot of stuff on my plate, in various stages of development, so what follows is a summarized run-down.
Why am I so busy? I have been taking on editing and book design projects for clients, proofreading, editing and copyediting for Independent Legions Publishing, and have recently taken on a part-time role as Developmental Editor for New Degree Press to help new writers bring their books to life (and you can add “ghostwriting” to my resume ). Meanwhile, I am trying to finish a science fiction thriller called Seen in Distant Stars, and writing fiction and nonfiction to perhaps make a few sales and help pay the bills.
So here goes …
PSYCHOTROPIC DRAGON
This is a composite novel that’s been “in the works” since 2009 (yes, ten years!). Many have been waiting patiently for this book, and hopefully the wait won’t be much longer because I consider the manuscript done. Word-count is a little under 90,000.
Why “composite” and why the long wait? Well, it’s part short novel, part novella, part novelette, includes a few children’s fables throughout, and four illustrators have been involved with its development over the last ten years (48 illustrations total!). I should also mention John Skipp played an early part in this thing coming together, as well as my three amigos: Thomas F. Monteleone, F. Paul Wilson, and Douglas E. Winter.
So, where does it stand, then, this beautiful whatever-it-is?
My agent is busy shopping this monster. With a little luck and patience, perhaps it will sell (which could mean a while longer before it finds print). We have high hopes, though, so we’re aiming high. It’s worth the wait (I promise), and while the book works on its own, Psychotropic Dragon has many tie-ins to my other works, most notably the two previous composite novels, Palindrome Hannah and Phoenix Rose. Other tie-ins include the novelette Our Children, Our Teachers, the children’s book Enso, and various work from Inkblots and Blood Spots.
The cover image above is from an “Advance Reader Copy” I created to make it easier for pre-readers to grasp the overall concept, and to perhaps gain a few more blurbs for promotion. This image has kept the project going, always on my mind.
One of my first pre-readers (and originally a collaborator, believe it or not) was Dallas Mayr, aka Jack Ketchum; while he couldn’t contribute to the fiction, when all was said and done, he offered a generous cover blurb instead. He loved this thing almost as much as I do: “Addictive, scary, and at times, mind-blowing.” Can’t ask for much better than that, right? Other collaborators have been in talks, but eventually I decided to finish this thing on my own, at least in terms of the text.
The illustrators? Ty Scheuerman worked on early concepts, Daniele Serra on illustrations for the novelette and spot-pieces throughout, Glenn Chadborne on the novella, and L.A. Spooner on the short novel and fables. Insane, right? Whether or not the illustrations (48!) will make it into the final product is yet to be determined, but here are a few teasers (section titles and visuals). Let’s just say this book is wild! No matter what, Psychotropic Dragon will someday have a “special edition,” which will include everything.
ORIGINAL CONCEPTS (Ty Scheuerman):
SOMNAMBULISM / I SUMMON LAMBS (novelette / Daniele Serra):
A ROSE / AROSE (novella / Glen Chadbourne):
DRAKEIN (short novel / L.A. Spooner):
As for the fables, they are titled ECLOSE, SCARLET HOURGLASS, ACHERONTIA ATROPOS, and APODEMUS. And a few of the other chapters connecting all this insanity: THE BEGINNING OF THE END, DEATH’S-HEAD, LIFE-MAGIC, ENSŌ, and THE END OF THE BEGINNING. Like I mentioned before, this book is something wild!
Soon (haven’t I said that before?) …
SEVEN MINUTES
This book, which was recently trimmed from 100,000 words to 80,000 words, is the strongest thing I’ve ever written, and happens to be nonfiction. I’ll be reading a seven-minute chapter (called “Seven Minutes”) at StokerCon in May. Advance Reader / Burn After Reading copies are currently making the rounds while my agent shops this one around the nonfiction market (although nonfiction is something new for both of us).
I wrote the manuscript in 23 days (most pages on an old Royal typewriter, about 75,000 words). 23 days happens to be how long the Tubbs fire burned (the setting for this book), and how long my cat Bram went missing (the end of the fire and the day he was found, one in the same), and so I made that my goal: to finish an entire book in under a month! The third draft was completed on day 23, the first anniversary of the day the Tubbs fire was finally extinguished, the day Bram was found.
The book is about the fire that took our home and many others (somewhere around 5,600 from the Tubbs fire alone), changing our lives (and many others’) forever. The book is structured like a therapy session. It contains poetry and lots of hard truths, with the narrative bouncing from first-person to first-person collective to second-person.
This one is close to the heart.
THE IMPOSSIBLE WEIGHT OF LIFE
This would be fiction collection number three (roughly 90,000 words, so lengthier than my previous collections), and will feature short fiction, long fiction, and a few poems (one quite long). Three of the stories have been nominated for the Bram Stoker Awards*, and most of the others have found their way into anthologies over the last few years. Most are autobiographical, in one way or another, and most were written during my recovery from Loss of Bilateral Labyrinthine Function.
My agent is shopping this one around as well (yes, I have her very busy), but here’s a teaser of its tentative contents:
“Time is a Face on the Water”*
“Speaking Cursive”
“The Long White Line”
“Möbius”
“Cartwheels” (poem)
“Hourglass”
“Ghosts of Calistoga”
“Darkroom” (novelette)
“Fade to Black”
“The Fire” (poem)
“The Other Side of Semicolons”
“SAD Face” (novelette)
“Essential Oils”
“Gave”
“A Murmuration of Souls”
“Fragments of Br_an”
“I Will Be the Reflection Until the End”*
“Shades of Red” (poem)
“Our Children, Our Teachers”* (novelette)
PRISMS:
This is an anthology I co-edited with Darren Speegle, to be release soon through PS Publishing. Expect more information on release dates and pre-ordering and whatnot as soon as its available.
And here is the official Table of Contents (and word counts). Yes, this book will be something incredible:
“We Come in Threes” – B.E. Scully (4,200)
“The Girl with Black Fingers” – Roberta Lannes (4,400)
“The Shimmering Wall” – Brian Evenson (4,300)
“The Birth of Venus” – Ian Watson (7,400)
“Fifty Super-Sad Mad Dog Sui-Homicidal Self-Sibs, All in a Leaky Tin Can Head” – Paul Di Filippo (3,500)
“Encore for an Empty Sky” – Lynda Rucker (6,700)
“Saudade” – Richard Thomas (3,900)
“There Is Nothing Lost” – Erinn L Kemper (5,200)
“The Motel Business” – Michael Marshall Smith (4,900)
“The Gearbox” – Paul Meloy (6,100)
“District to Cervix: The Time Before We Were Born” – Tlotlo Tsamaase (8,500)
“Here Today and Gone Tomorrow” – Chaz Brenchley (5,400)
“Daylight Robbery” – Anna Taborska (5,400)
“The Secrets of My Prison House” – J. Lincoln Fenn (4,600)
“A Luta Continua” – Nadia Bulkin (7,200)
“I Shall but Love Thee Better” – Scott Edelman (10,500)
MISCREATIONS: GODS, MONSTROSITIES & OTHER HORRORS:
This is an anthology I am currently co-editing with the always wonderful Doug Murano, to be released through Written Backwards. Expect this one in early 2020. Here is a glimpse of what we’re thinking for the cover. Follow along here!
As always, expect an incredible anthology! The first two story acceptances:
“Brains” – Ramsey Campbell
“Resurrection Points” – Usman T. Malik
Things I’ve written lately:
“A Bouquet of Flowers” (2,000 words, nonfiction)
“Oll Korrect” (3,500 words, fiction)
“Emergence of the Colorless – Exordium to Conclusio” (6,200 words, fiction)
“L’appel du Vide” (in progress, fiction)
Things I’ve read lately (and enjoyed), and things I am currently reading (and enjoying):
There There by Tommy Orange
Baby Teeth by Zoje Stage
Inspection by Josh Malerman
The Hunger by Alma Katsu
That’s about it for now …
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